Phil Maneri’s
BASS
LAB
I am fascinated by the resurgence of short-scale basses. I’m not sure what started this trend. Perhaps one of our readers can shed light on that… In any case, this one is as cute as you’d want. It’s a short-scale J-bass, checking in at 30”. It’s strung through-body, so standard length strings are fine, here. That’s not such an issue with roundwounds, but it sure is with flats. I don’t recommend flatwounds on these kinds of through-body structures, though, as the sharp bend entering the body makes a flatwound prone to breaking or separating at the bend point.
Finer lumber is used in this $2,000 instrument. It starts with a very nice roasted maple neck, capped with a pau ferro fingerboard and bolted up to an alder body with a quilted maple cap. There appears to be a thin mahogany stringer in between the top and the body.
The strings are anchored by a Babicz bridge on one end, and Gotoh keys on the other. Six bolts hold the neck to the body. A couple different strap buttons leave room to accommodate individual tastes. There is no slouching in electronics, here. This little guy is loaded with newer, stagger-pole Bartolinis and an 18V NTMB preamp. They sound wonderful. Finish is a high-gloss poly; serviceable and durable. Not as thin as I prefer, but not problematic.
A bass this size and scale length can throw off the traditional 34” player just by being what it is. It is, however, a very comfortable bass to play after accommodating to its shorter scale. The bass hangs well and balances better than I’d expect. It sounds great; it’s punchy, growly, and very mid-forward. It’s way more balanced across the fingerboard than I would expect. Often, short-scale instruments fail the lower part of the E string. This is way more even than I’d predict it would be.
The only complaint I have is a minor one. The (stainless steel) frets are rather rough-looking. Nowadays, some lower-priced instruments have very well-groomed and polished frets, which raises expectations – particularly on higher-priced instruments. This bass has flat fret tops that lack a proper rounding, and there is a good amount of file chatter marks across all the frets. Granted, stainless steel can be harder to work with, but there are tools that are up to the job (with some extra effort).
Fretwork aside, it’s a very well-made instrument that competes well with its $2,000 price-point mates. Although there are more and more short-scale instruments available these days, this one’s balance across the playing area push it right up near the front of the pack. ![]()
Kinal Kompact S
CONFIGURATION
| Strings: | 4 |
| Style: | Double cutaway |
| Overall Length: | 41” |
| Body Dimension: | 21” long x 12 ¼” wide at lower bout |
| Body Contouring: | Moderate |
| Weight: | 7.75 lbs |
NECK
| Scale length: | 30” |
| Neck width at nut: | 1.571" |
| Neck width at 12th fret: | 2.149" |
| Neck width at joint: | 2.361" |
| Neck thickness at nut: | .874" |
| Neck thickness at 1st fret: | .861" |
| Neck thickness at 12th fret: | .965" |
| Neck thickness at joint: | 1.01" |
| String spacing at nut: | .396” |
| String spacing at saddle: | .741” |
| Fingerboard radius: | 7.25” – 10”, compound |
| Descriptor for neck shape: | flat D |
| Peghead break angle: | 10 deg |
| Bridge break angle: | 35 deg |
| Afterlength at nut: | 2 ¼ - 5” |
| Afterlength at saddle: | 2 1/2” |
| Attachment: | Bolt-on |
| Pocket gap: | 0 |
| Truss rod type/access: | 2-way, body-end |
| Fret count: | 21 |
| Fretwire: | 103x48 |
ELECTRONICS
| Pickups: | Bartolini b-axis series |
| Pickup location(s) from 12th fret: | 9 5/8” and 12 15/16” |
| Electronics: | Bartolini NTMB |
| Controls: | Volume (push/pull for active/passive), blend, stacked bass/treble and midrange (push/pull for frequency selection) |
| Shielding: | Foil |
| Preamp circuit voltage: | 18V |
CONSTRUCTION
| Body Woods: | Alder, with quilted maple top |
| Neck Woods | Torrefied maple, with graphite rods |
| Fingerboard: | Pau ferro |
| Body Finish: | High-gloss polyester |
| Neck Finish: | Satin polyester |
HARDWARE
| Strings: | DR Hi-Beam Short Scale |
| Gauge: | .045, .065, .085, .105 |
| Attachment: | At bridge or Through-body |
| Bridge/color: | Babicz / chrome |
| Nut: | Bone |
| Tuners/color: | Gotoh / chrome and amber |
| Knobs/color: | Plastic / black |
| Pickguard: | N/A |
| Control cavity cover: | Wood (stained to match body) |
GENERAL
| Company: | Kinal Handmade Guitars and Basses 3239 East 52d Avenue Vancouver, British Columbia Canada V5S 1T9 Phone: 604.433.6544 Email: kinalguitars@telus.net www.kinal.dreamhosters.com |
| County of origin: | Canada |
| Warranty: | Five Year |
| Price: | $2,450 (list), $2,050 (street) |
| Options: | Black or gold hardware, numerous hardwood top options |
| Accessories: | Gig bag, hex wrenches |
| Available colors: | Natural, sunburst, transparent red, black, green and blue |
| Acquired from: | Mike Kinal |
| Dates: | Spring-Full 2016 |
| Locals: | Ohio |
| Test gear: | Genzler MG-800 and BA12-3’s, Ampeg Micro-VR and SVT-210AV, Fender Bassman 800, Fender Bassman Neo 410, Quilter Bass Block 800, Sadowsky Will Lee 4, MTD Saratoga 4, Fender American Jazz Bass |
TEST RESULTS
1-5 (unacceptable to impeccable)
In-hand
| Features: | 4 |
| Tonal Flexibility: | 4 |
| Ease of Use: | 4 |
| Aesthetics: | 4.5 |
| Ergonomics: | 4.5 |
| Tone: | 4 |
| Value: | 4.5 |
In-hand Score 4.21average
On-bench Score 4.53average
On-bench
| Overall construction | 4 |
| Wood choice | 5 |
| Materials choice | 5 |
| Joinery | 5 |
| Fretwork | 2 |
| Fit and Finish of adornments | 5 |
| Quality of finish work | 4 |
| Ease of repair | 5 |
| Potential range of setup | 5 |
| Balance on knee | 4 |
| Balance on strap | 4 |
| Overall electronic quality | 5 |
| Solder joints, wire runs | 5 |
| Clarity | 5 |
| Noise | 5 |
| Shielding | 5 |
| Quality for Price Range | 4 |
SONIC PROFILE:
Low: Organic and controlled, can dial in some serious thump
Mids: Rich and focused, yet lively
Highs: Complex, full, but with nice air
TONE-O-METER
This is a great-sounding modern, active J-bass, with a nice mix of richness, focus and clarity. It has an organic feel and a complex tone that has certain acoustic qualities, but with the solid tone of a solid body instrument.

