Phil Maneri’s
BASS
LAB

Guild has made some excellent acoustic guitars in its long and storied history. Today’s Guild isn’t like Westerly Guild of old, but they still occupy a recognizable niche in the market. This entry is an odd bird: a 23.75” scale mini acoustic electric bass. For comparison, a Fender Strat employs a 25” scale and a Gibson Les Paul is a 24.75” scale. Fender Basses are 34”. Even the shortest short-scale bass typically has a 30” scale. This is shorter than all that. It really should sound terrible, but it doesn’t. In fact, it sounds better than you’d think.

It’s weird to play, being so short. Jury is out weather I could get used to it or not, personally. Nevertheless, if you can get used to playing it, there are lots of good things, here. It’s easy to cart around, being smaller. It sounds great acoustically – way better than most acoustic electric basses. It sounds good plugged in, as well.

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This China-made instrument has a solid spruce top sitting on plywood flamed maple back and sides. The back is pressed into a curve – and sans braces, like the old ‘70s Guild guitars. Cool nod to their history. Decent lumber for its price range. The top is braced moderately in a typical X-braced Martin style with a standard bridge plate. The neck-end long brace is huge in comparison to the rest of the field. Work is clean on the inside.

The neck angle is underset for an acoustic flattop guitar. That’s not a good way to start an instrument’s life span. They tend to move in that direction on their own over time, making them progressively harder to play. No need to help it along right out of the gate. It’s packed with a proprietary Fishman pickup system that at first glance has the sound hole volume and tone knobs of a Fishman Matrix, but the transducer is of a less expensive variety. Sounds great plugged in, like a low-tuned acoustic guitar.

Tuning keys are what you would expect for a $500 instrument: serviceable, but not all that. The output jack and battery compartment area are sawed out of the skinny side wood and installed there, rather than using the end block in support of the output jack. I am concerned that this may break badly some day and not be worth fixing. Granted, it’s a $500 guitar, so I should have lower expectations, but this one seems easy to avoid. Finish is a decently applied satin poly, thin enough and reasonably durable. The nut shows evidence of a superglue fill on the A string, and the fret ends need filed back better – the latter most likely from fingerboard shrinkage after construction.

This bass has very low string tension from the scale length and super light .37 to .90 gage strings. For those used to 34” scale instruments with .45-105 strings, it can feel rubbery and it’s easy to overfire with a standard technique. You will definitely need to adjust your technique a bit to become comfortable with this instrument. The playing positions (both standing and sitting) take a little getting used to, as well.

If it wasn’t so inexpensive, I wouldn’t like it so much. But at $500, it’s a good price for what it is. It sounds great and looks interesting. Sure, it could be built better, but probably not for the selling price. If you can accommodate its odd size, it has potential.

bass test
Guild Jumbo Junior Bass

Guild Jumbo Junior Bass

CONFIGURATION

Strings:4
Style:Mini acoustic
Overall Length:37”
Body Dimension:17 ¼” long x 14 ½” wide at lower bout
Body Contouring: Minimal
Weight:4.0 lbs

NECK

Scale length:23.75”
Neck width at nut:1.638” (1 5/8”)
Neck width at 12th fret:2.026”
Neck width at joint:2.088”
Neck thickness at nut:.979”
Neck thickness at 1st fret:.863”
Neck thickness at 12th fret: 1.183”
Neck thickness at joint:1.183”
String spacing at nut:.411”
String spacing at saddle:.658”
Fingerboard radius:12”
Descriptor for neck shape:C shape
Peghead break angle:17 deg
Bridge break angle:32 deg
Afterlength at nut:2.283” – 4.594”
Afterlength at saddle:.403” to pin (or 1.119” through body)
Attachment:Set neck
Pocket gap:N/A
Truss rod type/access:Dual-action / body end
Fret count:19
Fretwire:77x44

ELECTRONICS

Pickups:Piezo transducer
Pickup location(s):Underneath bridge
Electronics:Guild AP-1 piezo system, sound hole mounted
Controls:Volume/Tone
Shielding:N/A
Preamp circuit voltage:9V

CONSTRUCTION

Body Material:Flamed maple plywood back/sides; solid Sitka spruce top
Neck Material:Maple
Fingerboard:Ebony (mother of pearl dots)
Body Finish:Satin clear polyurethane
Neck Finish:Satin clear polyurethane

HARDWARE

Strings:D’Addario nylon-core coated phosphor bronze strings
Gauge:.037, .050, .062, .090 (inches)
Attachment:At bridge
Bridge/material:Proprietary / ebony (bone saddles, plastic pins)
Nut:Bone
Tuners/color:Guild closed-gear, 18:1 ratio / chrome
Knobs/color:Black plastic
Pickguard:1-Ply Tortoise shell
Control cavity cover:Plastic

GENERAL

Company:Guild Guitars
1455 19th St.
Santa Monica, CA 90404
Phone: (310) 857-1710
Fax: (310) 857-1690
http://www.guildguitars.com/
County of origin:China
Warranty:Limited non-transferrable lifetime
Price:$695.00 MSRP, $499.00 Street
Options:None
Accessories:Gig bag
Available colors:
Acquired from:Guild Guitars
Dates:Spring, Summer 2018
Locals:Illinois, Ohio
Test gear:Gallien-Krueger MB 800, Neo 112-II

TEST RESULTS

1-5 (unacceptable to impeccable)

In-hand

Features: 4
Tonal Flexibility:3
Ease of Use: 4
Aesthetics:4
Ergonomics: 4
Tone: 4
Value:5

In-hand Score 4.00average

On-bench Score 3.63average

On-bench

Overall construction3
Wood choice5
Materials choice3
Joinery4
Fretwork2
Fit and Finish of adornments3
Quality of finish work4
Ease of repair 4
Potential range of setup3
Balance on knee3
Balance on strap3
Overall electronic quality4
Solder joints, wire runs4
Clarity4
Noise5
ShieldingN/A
Quality for Price Range4

SONIC PROFILE:

Low: Huge and round
Mids: Mild and mellow
Highs: Crisp and bright


TONE-O-METER:

This bass is fairly unique. It has the classic acoustic tone and tonal applicability, but is surprisingly portable, tuneful, and especially affordable, despite great materials and construction.

Eastwood Bass