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Fractal Audio Systems AX8 and Line 6 Helix – “A Model Comparison”
Managing Modeling Expectations To get one thing out of the way upfront, this is not a shootout and...
Fractal Audio Systems AX8 and Line 6 Helix – “A Model Comparison”
Managing Modeling Expectations To get one thing out of the way upfront, this is not a shootout and...
Headway EDM-1 and EDB-2 Acoustic Instrument Preamplifiers
This Article Was Originally Published On: February 3, 2015 #Issue 15. I can remember a time when...
Amp Lab: Headway EDM-1 and EDB-2
Tom Lees'AMPLAB This Article Was Originally Published On: February 3rd, 2015 #Issue 15. When it...
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Introducing The Reverend Basshouser Fatfish 32
TOLEDO, OH (JANUARY 24, 2019) – Brad Houser and Reverend Guitars have collaborated on his second...
Introducing The Reverend Basshouser Fatfish 32
TOLEDO, OH (JANUARY 24, 2019) – Brad Houser and Reverend Guitars have collaborated on his second...
Get Ready for 2018 Summer NAMM
REGISTER NOW Future of the Guitar There will be a series of events focused on celebrating this...
2018 Winter NAMM Show Awards
This year, the NAMM Show added a new hall, increased its attendance numbers, and rearranged the...
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“Watch Your Tone”
Drum-n-Bass by J Simms This Article Was Originally Published On: February 3, 2015 #Issue15 As bass players and drummers, we all must take into high consideration how vitally important it is to watch our tones. After all, we are...
Bass Gear Icons: Ken Smith
This Article Was Originally Published On: June 3rd, 2015 #Issue 16. Bass gear has evolved...
“Watch Your Tone”
Drum-n-Bass by J Simms This Article Was Originally Published On: February 3, 2015 #Issue15 As bass players and drummers, we all must take into high consideration how vitally important it is to watch our tones. After all, we are...
Robert Trujillo Interview
Metal-on-Metal by David Ellefson This Article Was Originally Published On: June 3rd, 2015 #Issue 16. Welcome to our initia... Please sign up for Bass Gear Premium to gain access to our Premium Content or login if you are already...
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